Programm\u0101 \u201cZieme\u013cu gaismas \/ Nordic Highlights\u201d R\u012bgas Starptautiskais kino festiv\u0101ls \u0161ogad izr\u0101d\u012bs devi\u0146as spilgt\u0101k\u0101s p\u0113d\u0113jo gadu Zieme\u013cvalstu kino p\u0113rles, ko veidoju\u0161i t\u0101di re\u017eisori k\u0101 \u201cdogma95\u201d dibin\u0101t\u0101js un dal\u012bbnieks S\u0113rens Kr\u0101gs-J\u0101kobsens (S\u00f8ren Kragh-Jacobsen), vair\u0101ku Berl\u012bnes l\u0101\u010du \u012bpa\u0161nieks un savulaik Oskaram nomin\u0113tais zviedru vecmeistars Jans Tr\u016bels (Jan Troell), k\u0101 ar\u012b melanholisk\u0101 norv\u0113\u0123u kinopo\u0113tisma p\u0101rst\u0101vis Joahims Tr\u012brs (Joachim Trier).<\/p>\n
Tikai desmit gadu pag\u0101jis kop\u0161 Tr\u012bra debijas filmas \u201eRepr\u012bze\u201d (Reprise), kas piedz\u012bvoja starptautisku saj\u016bsmas vilni un ierindoja re\u017eisoru \u201eoblig\u0101t\u0101s literat\u016bras sarakst\u0101\u201d smalku psiholo\u0123ijas nian\u0161u un kinovalodas eksperimentu cien\u012bt\u0101jiem. Norv\u0113\u0123i Tr\u012bru, kur\u0161 paz\u012bstams k\u0101 amerik\u0101\u0146u 1970. gadu filmu fans, jau ilgi med\u012b Holivudas producenti. Tom\u0113r Tr\u012brs joproj\u0101m ir uztic\u012bgs Eiropas kinoindustrijai un \u0161ogad prezent\u0113jis savu pirmo filmu ang\u013cu valod\u0101 (D\u0101nijas, Norv\u0113\u0123ijas un Francijas kopra\u017eojums, kas film\u0113ts \u0145ujork\u0101). Eksistenci\u0101lisma cauraust\u0101s \u0123imenes dr\u0101mas \u201eSka\u013c\u0101k par spr\u0101dzieniem\u201d (Louder Than Bombs) varo\u0146i balans\u0113 uz trausl\u0101s robe\u017eas starp rado\u0161umu un pa\u0161izn\u012bcin\u0101\u0161anos, realit\u0101ti un \u0161\u0137itumu. Iedz\u012bvin\u0101t sare\u017e\u0123\u012bto varo\u0146u lomas re\u017eisors uztic\u0113jis t\u0101diem izciliem aktieriem k\u0101 fran\u010du le\u0123endai Izabellai Ip\u0113rai (Isabelle Huppert), Zelta globusa laure\u0101tam Gabrielam B\u0113rnam (Gabriel Byrne) un ASV jaunajam kinosp\u012bdeklim D\u017eesem Eizenbergam (Jesse Eisenberg).
\nTr\u012bra vienaudzes, zviedru re\u017eisores L\u012bsas Langsetas (Lisa Langseth) Toronto Starptautiskaj\u0101 kinofestiv\u0101l\u0101 pirmizr\u0101d\u012bt\u0101 filma \u201eViesn\u012bca\u201d (Hotell) pied\u0101v\u0101 ieskatu psihoterapijas eksperiment\u0101, kur m\u016bsdienu tempa un sabiedr\u012bbas veiksmes kulta upuri mekl\u0113 veidus, k\u0101 pie\u0146emt sevi un p\u0101rvar\u0113t emocion\u0101l\u0101s spriedzes rad\u012bt\u0101s traumas. Filma ir aizkustino\u0161i sav\u0101du, humora un skaudru mirk\u013cu pilna, k\u0101 ar\u012b negaid\u012bti izklaid\u0113jo\u0161a iesp\u0113ja redz\u0113t uzleco\u0161o Holivudas zvaigzni, g\u0113teborgieti Al\u012bsiju Vikanderi (\u201cEx Machina\u201d, \u201cV\u012brs no U.N.C.L.E.\u201d) pirms vi\u0146as \u017eilbino\u0161\u0101 karjeras pav\u0113rsiena.
\nIev\u0113rojam\u0101 zviedru klasi\u0137a Jana Tr\u016bela (Jan Troell) pirmais digit\u0101li uz\u0146emtais kino darbs \u2013 melnbalt\u0101 est\u0113tik\u0101 ietur\u0113tais “P\u0113d\u0113jais v\u0101rds” (Dom \u00f6ver d\u00f6d man) ir patiesos notikumos balst\u012bts v\u0113st\u012bjums par br\u012bvdom\u012bgu \u017eurn\u0101listu, kur\u0161 1930. gados uzdro\u0161in\u0101j\u0101s atkl\u0101ti iest\u0101ties pret nacisma ideolo\u0123iju un nesaudz\u012bgi kritiz\u0113t Zviedrijas neitralit\u0101ti 2. Pasaules kar\u0101. Filmas galvenais varonis iemieso publiskas personas-sabiedr\u012bbas sirdsapzi\u0146as lomu, vienlaikus izdz\u012bvojot sare\u017e\u0123\u012btu priv\u0101to attiec\u012bbu l\u012bklo\u010dus. \u0160obr\u012bd tik aktu\u0101l\u0101 v\u0101rda br\u012bv\u012bba, t\u0101s augst\u0101 cena, politisku izv\u0113\u013cu un pas\u012bvas klus\u0113\u0161anas posto\u0161\u0101s sekas ir Tr\u016bela filmas centr\u0101lie jaut\u0101jumi.
\nSlaveno Pr\u0101gas FAMU kinoskolu absolv\u0113ju\u0161\u0101 islandie\u0161u re\u017eisora Grimura Hakonarsona (Gr\u00edmur H\u00e1konarson) ekstravagant\u0101 filma \u201eAuni\u201d (Hr\u00fatar) pirmizr\u0101di piedz\u012bvoja \u0161\u012b gada Kannu kino festiv\u0101l\u0101, kur Izabellas Rosel\u012bn\u012b vad\u012bt\u0101 \u017e\u016brija pie\u0161\u0137\u012bra tai galveno balvu kategorij\u0101 Un Certain Regard. \u0160is tradicion\u0101lo \u017eanru robe\u017e\u0101s gr\u016bti ier\u0101m\u0113jamais kino darbs, kura izr\u0101d\u012b\u0161anas ties\u012bbas p\u0101rdotas jau vair\u0101k nek\u0101 30 valst\u012bs, sniedz ieskatu pavisam re\u0101l\u0101 Islandes lopkopju dz\u012bv\u0113. Cie\u0146piln\u0101 dokument\u0101lisma jut\u012bb\u0101 veidot\u0101, tra\u0123ikomisma pies\u0101tin\u0101t\u0101 filma st\u0101sta par diviem br\u0101\u013ciem-vecpui\u0161iem, kas p\u0113c 40 gadu nesazin\u0101\u0161an\u0101s spiesti vienoties kop\u012bg\u0101 c\u012b\u0146\u0101, lai gl\u0101btu svar\u012bg\u0101ko, kas vi\u0146iem ir \u2013 aitas.
\n\u201cZieme\u013cu gaismu\u201d programm\u0101 izlas\u0113 skat\u0101mi ar\u012b vair\u0101ki zieme\u013cnieciski iespaid\u012bgi iek\u0161\u0113j\u0101s psiholo\u0123ijas portreti \u2013 \u201eNe sav\u0101 dab\u0101\u201d (Mot naturen) pied\u0101v\u0101 dubultce\u013cojumu Norv\u0113\u0123ijas neskartaj\u0101s \u0101r\u0113s un tr\u012bsdesmitgadnieka emocion\u0101l\u0101s kr\u012bzes plos\u012btaj\u0101 dv\u0113sel\u0113, ko \u012bsteni skandin\u0101visk\u0101 sentiment\u0101las ironijas gar\u0101 veidojis \u016ale Gj\u0113vers (Ole Gi\u00e6ver), bet S\u0113rena Kr\u0101ga-J\u0101kobsena \u201eL\u016b\u0161a stunda\u201d (I lossens time), kas uz\u0146emta p\u0113c paz\u012bstam\u0101 zviedru rakstnieka P. U. Enkvista lugas mot\u012bviem, kas savuk\u0101rt iestud\u0113ta Valmieras te\u0101tr\u012b, ved skat\u012bt\u0101ju cauri tic\u012bbas un piedo\u0161anas \u0113rk\u0161\u0137ainajiem labirintiem.
\nPieredz\u0113ju\u0161ais d\u0101\u0146u dokument\u0101l\u0101 kino re\u017eisors Mihaels Nuers (Michael Noer) sav\u0101 otraj\u0101 sp\u0113lfilm\u0101 \u201eZieme\u013crietumi\u201d (Nordvest) nesaudz\u012bgi re\u0101listisk\u0101 manier\u0113 analiz\u0113 pusaud\u017eu krimin\u0101lo aprindu sh\u0113mas Kopenh\u0101gen\u0101. Savuk\u0101rt re\u017eisors J.P. Valkeap\u0113 (J.-P. Valkeap\u00e4\u00e4), kura filma \u201eVi\u0146i ir izb\u0113gu\u0161i\u201d (He ovat paenneet) \u0161ogad sa\u0146\u0113ma Somijas galveno kino balvu, rad\u012bjis sirre\u0101lu roadtrip paraugu, kas jaunekl\u012bgi dumpiniecisk\u0101 vieglpr\u0101t\u012bb\u0101 \u017eongl\u0113 starp gl\u0101smaini sap\u0146ain\u0101m ain\u0101m un \u0161ausmino\u0161iem si\u017eeta pav\u0113rsieniem. Visbeidzot, \u012bpa\u0161a uzman\u012bba festiv\u0101l\u0101 tiks velt\u012bta ar\u012b St\u012bga Bjerkmana (Stig Bj\u00f6rkman) Kann\u0101s nule apbalvotajai dokument\u0101lajai filmai \u201eEs esmu Ingr\u012bda\u201d (Jag \u00e4r Ingrid), kas skat\u012bt\u0101jiem \u013cauj ieskat\u012bties zviedru kino ikonas Ingr\u012bdas Bergmanes dz\u012bvesst\u0101st\u0101 \u2013 vi\u0146a \u0161ogad svin\u0113tu simto dzim\u0161anas dienu.<\/p>\n
Programma \u201cZieme\u013cu gaisma\u201d tapusi sadarb\u012bb\u0101 ar Zieme\u013cvalstu Ministru Padomes biroju Latvij\u0101, D\u0101nijas Karalistes v\u0113stniec\u012bbu Latvij\u0101, Norv\u0113\u0123ijas Karalistes v\u0113stniec\u012bbu, Zviedrijas v\u0113stniec\u012bbu, Somijas v\u0113stniec\u012bbu R\u012bg\u0101 un D\u0101nijas Kult\u016bras instit\u016btu R\u012bg\u0101.
\nR\u012bgas Starptautiskais kino festiv\u0101ls norisin\u0101sies no 15. l\u012bdz 25. oktobrim ar Valsts Kult\u016brkapit\u0101la fonda un R\u012bgas Domes atbalstu, sadarb\u012bb\u0101 ar Latvijas Kinematogr\u0101fistu savien\u012bbu un Latvijas Kinoproducentu asoci\u0101ciju. Da\u013ca filmu un festiv\u0101la da\u017e\u0101d\u0101s programmas jau public\u0113tas festiv\u0101la m\u0101jaslap\u0101 \u2013 rigaiff.lv, par jaun\u0101ko var uzzin\u0101t, ar\u012b apmekl\u0113jot Riga IFF \u0161\u0137irk\u013cus Facebook (fb.me\/rigaiff), Twitter (twitter.com\/rigaiff) un Instagram (instagram.com\/riga_iff) vietn\u0113s.<\/p>","protected":false},"excerpt":{"rendered":"
Programm\u0101 \u201cZieme\u013cu gaismas \/ Nordic Highlights\u201d R\u012bgas Starptautiskais kino festiv\u0101ls \u0161ogad izr\u0101d\u012bs devi\u0146as spilgt\u0101k\u0101s p\u0113d\u0113jo gadu Zieme\u013cvalstu kino p\u0113rles, ko veidoju\u0161i t\u0101di re\u017eisori k\u0101 \u201cdogma95\u201d dibin\u0101t\u0101js un dal\u012bbnieks S\u0113rens Kr\u0101gs-J\u0101kobsens (S\u00f8ren Kragh-Jacobsen), vair\u0101ku Berl\u012bnes l\u0101\u010du \u012bpa\u0161nieks un savulaik Oskaram nomin\u0113tais zviedru vecmeistars Jans Tr\u016bels (Jan Troell), k\u0101 ar\u012b melanholisk\u0101 norv\u0113\u0123u kinopo\u0113tisma p\u0101rst\u0101vis Joahims Tr\u012brs (Joachim Trier).<\/p>\n","protected":false},"author":1,"featured_media":4607,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4605"}],"collection":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/comments?post=4605"}],"version-history":[{"count":6,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4605\/revisions"}],"predecessor-version":[{"id":5047,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4605\/revisions\/5047"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media\/4607"}],"wp:attachment":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media?parent=4605"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/categories?post=4605"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/tags?post=4605"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}