Eimiju Vainhauzu j\u0101min blakus t\u0101dai d\u012bvai k\u0101 Ella Ficd\u017eeralda, apgalvo viens no 20. gadsimta slaven\u0101kajiem amerik\u0101\u0146u dzied\u0101t\u0101jiem Tonijs Benets, ar kuru duet\u0101 Eimija ierakst\u012bja \u201eBody and Soul\u201d \u2013 savu p\u0113d\u0113jo dziesmu. Kaisl\u012bbu un atkar\u012bbu plos\u012bta, Vainhauza pirms \u010detriem gadiem pievienoj\u0101s to m\u0101kslinieku pulkam, kuri aizsaul\u0113 devu\u0161ies likten\u012bgaj\u0101 27 gadu vecum\u0101. Dokument\u0101l\u0101 film\u0101 \u201eEimija\u201d, izr\u0101d\u012bta Kann\u0101s un Edinburg\u0101, Latvijas pirmizr\u0101di piedz\u012bvos R\u012bgas Starptautiskaj\u0101 kino festiv\u0101l\u0101 (Riga IFF), kas norisin\u0101sies no 15. l\u012bdz 25. oktobrim.
\nMilz\u012bgs talants, nevald\u0101mi d\u0113moni, c\u012b\u0146a ar bul\u012bmiju, alkoholismu un narkotik\u0101m, paparaci zibspuldzes, neveiksmes priv\u0101taj\u0101 dz\u012bv\u0113 \u2013 kop\u0161 albuma \u201eBack to Black\u201d (2007) izn\u0101k\u0161anas Eimija Vainhauza atrad\u0101s uzman\u012bbas centr\u0101, ta\u010du tikai retais zin\u0101ja, kas paties\u012bb\u0101 notiek vi\u0146as sird\u012b.
\nIzmantojot m\u0101jas video un dzelten\u0101s preses kliedzo\u0161os virsrakstus, sarunas ar Vainhauzas draugiem un t\u0113vu, dokument\u0101l\u0101 filma \u201eEimija\u201d atkl\u0101j dzied\u0101t\u0101jas karjeru no pa\u0161iem pirmajiem so\u013ciem, kad vi\u0146a, p\u0113c t\u0113va uzman\u012bbas izsl\u0101pusi meiten\u012bte, savas izj\u016btas uztic\u0113ja m\u016bzikai. Par d\u017eeza dzied\u0101t\u0101jas talantu \u0161aubu nebija nevienam, \u0161\u0137ita, ka vi\u0146as bals\u012b sadzirdamas vec\u0101s, skaist\u0101s pasaules d\u012bvas S\u0101ra Vona un Daina Va\u0161ingtone, ta\u010du Vainhauza bija t\u012brradnis, kuru samala komercijas dzirnakme\u0146i. Vienu gan vi\u0146a tiem neatdeva \u2013 savu vizu\u0101lo stilu, kas patapin\u0101ts no Kleopatras, meite\u0146u grupas \u201eThe Ronettes\u201d un Londonas nev\u012b\u017e\u012bg\u0101 \u0161ika, izpelnoties ne mazums niev\u0101jo\u0161u apz\u012bm\u0113jumu.
\nRe\u017eisors Asifs Kapadija (Asif Kapadia) ar r\u016bp\u012bbu atkl\u0101j Eimijas dz\u012bvi no pa\u0161as b\u0113rn\u012bbas l\u012bdz pat vi\u0146as n\u0101vei 2011. gada 23. j\u016blij\u0101. Uz liel\u0101 ekr\u0101na pati Vainhauza st\u0101sta par savu b\u0113rn\u012bbu, sap\u0146iem, slavu, m\u012blest\u012bbu un, protams, m\u016bziku.
\nFilma \u201eEimija\u201d jau p\u0113c pirmizr\u0101des sa\u0146\u0113ma augstu v\u0113rt\u0113jumu, un kinoprofesion\u0101\u013ci teju vien\u0101 bals\u012b atz\u012bst, ka paveikts neiesp\u0113jamais \u2013 \u0161\u012b dokument\u0101l\u0101 filma atkl\u0101j \u013coti god\u012bgu skatpunktu uz Vainhauzas neveiksm\u012bgajiem centieniem vienlaic\u012bgi b\u016bt m\u016bzik\u0101 un izvair\u012bties no slavas. Ta\u010du, k\u0101 jau bija gaid\u0101ms, Vainhauzas \u0123imene nav mier\u0101 ar uz ekr\u0101na redzamo, apgalvojot, ka Kapadija apzin\u0101ti veidojis filmu, sagrozot paties\u012bbu, un Vainhauzas t\u0113vs to nosaucis pat par \u201eabsurdu\u201d. Britu raid\u012bjum\u0101 \u201eThis Morning\u201d vi\u0146\u0161 pazi\u0146ojis: \u201eMani filma nepar\u0101da lab\u0101 gaism\u0101. Taj\u0101 nav balansa.\u201d
\nFilmas re\u017eisors Asifs Kapadija ir uz\u0146\u0113mis vair\u0101kas dokument\u0101l\u0101s filmas, un to vid\u016b ir Kannu kinofestiv\u0101la laure\u0101te \u201eAitu zaglis\u201d (The Sheep Thief, 1997), Londonas, Edinburgas, Roterdamas, Karlovi Varu un citos kinofestiv\u0101los izr\u0101d\u012btais \u201eC\u012bn\u012bt\u0101js\u201d (The Warrior, 2001), kas ar\u012b sa\u0146\u0113ma Britu Kinoakad\u0113mijas balvu k\u0101 lab\u0101k\u0101 britu filma, un \u201eSjenna\u201d (Senna, 2010), kas sa\u0146\u0113ma Britu Kinoakad\u0113mijas balvu k\u0101 lab\u0101k\u0101 dokument\u0101l\u0101 filma un skat\u012bt\u0101ju nedal\u012btas simp\u0101tijas Sandens\u0101.<\/p>","protected":false},"excerpt":{"rendered":"
”She was a true, natural jazz singer. And she should be mentioned with Ella Fitzgerald and Billie Holliday,” says Tony Bennett with whom Amy Winehouse recorded her final song \u2013 Body and Soul. Four years ago \u2013 haunted by addiction and emotional hardships \u2013 the talented singer joined the so called Club 27 comprised of artists to leave this world at that young age. Praised in Cannes and Edinburgh, the documentary entitled simply AMY will see it’s Latvian premiere at the Riga IFF (Riga International FIlm Festival) that will take place October 15 to 25.<\/p>\n","protected":false},"author":1,"featured_media":4340,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[12],"tags":[],"_links":{"self":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4257"}],"collection":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/comments?post=4257"}],"version-history":[{"count":3,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4257\/revisions"}],"predecessor-version":[{"id":4263,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/4257\/revisions\/4263"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media\/4340"}],"wp:attachment":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media?parent=4257"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/categories?post=4257"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/tags?post=4257"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}