{"id":3692,"date":"2015-08-19T21:42:47","date_gmt":"2015-08-19T21:42:47","guid":{"rendered":"http:\/\/www.rigaiff.lv\/2015\/?p=3692"},"modified":"2015-10-01T04:10:55","modified_gmt":"2015-10-01T04:10:55","slug":"chronicle-of-a-summer","status":"publish","type":"post","link":"https:\/\/2015.rigaiff.lv\/lv\/chronicle-of-a-summer\/","title":{"rendered":"Vienas vasaras hronika"},"content":{"rendered":"<p>Kanonisk\u0101 dokument\u0101l\u0101 filma \u201cVasaras hronika\u201d ir kreis\u0101 intelektu\u0101\u013ca Edgara Mor\u0113na un antropologa \u017dana Ru\u0161a kopdarbs. Ar savam laikam avangardisku pieeju, nesl\u0113pjot kameras kl\u0101tb\u016btni un filmas tap\u0161anas procesu, Ru\u0161s un Mor\u0113ns tiec\u0101s p\u0113c nebiju\u0161a autentiskuma realit\u0101tes atspogu\u013cojum\u0101, \u012bstenojot Mor\u0113na ideju par cin\u00e9ma-v\u00e9rit\u00e9, kino-paties\u012bbu.<!--more-->Vienas vasaras gait\u0101 Mor\u0113ns un Ru\u0161s seko l\u012bdzi vair\u0101ku par\u012bzie\u0161u ikdienai. Vi\u0146i interv\u0113 fabrikas str\u0101dnieku, m\u0101kslinieku p\u0101ri, studentus, tum\u0161\u0101dainu imigrantu, jaunu sievieti, kas pametusi nodro\u0161in\u0101tu dz\u012bvi vec\u0101ku m\u0101j\u0101s, un citus, kas st\u0101sta par savu dz\u012bvi un darbu, r\u016bp\u0113m un sap\u0146iem, dal\u0101s atmi\u0146\u0101s un p\u0101rdom\u0101s, diskut\u0113 par politiskaj\u0101m aktualit\u0101t\u0113m un koment\u0113 filmas veidot\u0101ju ieceri. \u201cVasaras hronika\u201d ir saisto\u0161s laikmeta v\u0113rojums, kur\u0101 nojau\u0161amas liegas to p\u0101rmai\u0146u v\u0113smas, kas raksturos 20. gs. 60. gadus, un vienlaikus \u2013 filma, kas caur t\u0101s varo\u0146u dz\u012bv\u0113m un sarun\u0101m piev\u0113r\u0161as p\u0101rsteidzo\u0161i aktu\u0101l\u0101m t\u0113m\u0101m \u2013 soci\u0101lajai nevienl\u012bdz\u012bbai, karam, koloni\u0101lisma sek\u0101m un imigr\u0101cijai.<\/p>","protected":false},"excerpt":{"rendered":"<p>The canon of the genre, the film \u2018Chronicle of a Summer\u2019, was a collaboration between the leftist intellectual Edgar Morin and the anthropologist Jean Rouch. Using an approach considered cutting-edge for its time, without shying away from revealing the camera and the filmmaking process itself, Rouch and Morin strived to create a reflection of reality as authentic as possible, bringing to life Morin\u2019s concept of cin\u00e9ma-v\u00e9rit\u00e9.<\/p>\n","protected":false},"author":1,"featured_media":3721,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,19],"tags":[47,42,48],"_links":{"self":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/3692"}],"collection":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/comments?post=3692"}],"version-history":[{"count":12,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/3692\/revisions"}],"predecessor-version":[{"id":4859,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/posts\/3692\/revisions\/4859"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media\/3721"}],"wp:attachment":[{"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/media?parent=3692"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/categories?post=3692"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/2015.rigaiff.lv\/lv\/wp-json\/wp\/v2\/tags?post=3692"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}